My buddy in London sent me a link to The Guardian's take on the new film on C.S. Lewis' Narnia. OUCH! She'd been telling me how "secular" her adopted hometown has become but I don't think I quite understood. This article makes it a tad bit clearer.
If you don't get a chance to read the article take a look at this excerpt:
Disney may come to regret this alliance with Christians, at least on this side of the Atlantic. For all the enthusiasm of the churches, Mel Gibson's The Passion of the Christ bombed in Britain and warehouses are stuffed with unsold DVDs of that stomach-churner. There are too few practising Christians in the empty pews of this most secular nation to pack cinemas. So there has been a queasy ambivalence about how to sell the Narnia film here. Its director, Andrew Adamson (of Shrek fame), says the movie's Christian themes are "open to the audience to interpret". One soundtrack album of the film has been released with religious music, the other with secular pop.
Most British children will be utterly clueless about any message beyond the age-old mythic battle between good and evil. Most of the fairy story works as well as any Norse saga, pagan legend or modern fantasy, so only the minority who are familiar with Christian iconography will see Jesus in the lion. After all, 43% of people in Britain in a recent poll couldn't say what Easter celebrated. Among the young - apart from those in faith schools - that number must be considerably higher. Ask art galleries: they now have to write the story of every religious painting on the label as people no longer know what "agony in the garden", "deposition", "transfiguration" or "ascension" mean. This may be regrettable cultural ignorance, but it means Aslan will stay just a lion to most movie-goers.